music

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on rock bands and puppy dogs and phd’s…

I didn’t see this coming. At 50 years of age I find myself suddenly hanging out in pubs and clubs and live music venues around Brisbane. I’ve even been seen in the Valley after midnight. Truth is I didn’t even do these things when I was 18, so to be there at 50…it’s all a bit strange.

Image courtesy https://www.instagram.com/rutherfordjazztrio/

The reason, of course, is one of my children. He’s in a band and as a dutiful dad, I’m there to transport him and encourage him and his band-mates.Yes, at times, to be a roadie-dad. We hang out up the back with the other parents, shoot a little video, enjoy watching the band perform and the 20-somethings in the crowd dance and sing and love life like there is no tomorrow.

The band, well, they’re something else. A bunch of 18 and 19 year olds that combine genuine musical talent, ambition, unbridled joy with a huge dose of irony and irreverence. They’ve named their five-piece band the Rutherford Jazz Trio. There are five of them, none are named Rutherford, and they don’t (usually) play jazz. Go figure.

Forming at high school a couple of years ago, their initial experiences involved things like private parties, open-stage street festivals and a season of 6-hour busking sessions on Saturday mornings at the Rocklea Markets. Now that they’re all 18+ they’re playing pubs and live music venues across Brisbane and entering the live-music scene, earning their chops.

Of course we, the parents, are following along. Ridiculously proud. Busting out embarrassing dance moves. Wondering where it will all end up.

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music, memories and midnight oil

Memories are a funny thing, particularly as you get a little older. Sometimes you have to dig around to find that lost one just out of reach somewhere in the dim dark recesses of the extraordinary thing we call the human brain. Other times though, they come flooding out, unbidden, unexpected and impossible to resist. And music has a way of drawing out memories more than just about anything else, transporting us in an instant to another time and place.

Last night I had just such an experience.

I was standing in a crowd of 8000 at Brisbane’s Riverstage, singing and dancing (yes, true, I did dance) along with the incomparable Midnight Oil. They’re in the middle of what is billed as their final tour after thrilling crowds for more than 40 years. As a lifelong fan, I had to be there, there was no option.

And as we stood, sang, danced (ok, I confess, it was what might be charitably described as “dad-dancing”), the memories came pouring forth.

Memories of sneaking an under-aged brother into a licenced venue gig in the early 90s. Of Boondall Entertainment Centre absolutely packed to the rafters for Crowded House and Hunters and Collectors…but clearly most of the punters there mainly for Midnight Oil. Of gig, after gig, after gig.

Perhaps most memorable, an insane Saturday night at the Alexandra Headlands Hotel, the room heaving with sweaty, singing, dancing bodies, the atmosphere so intense the room practically had its own weather system (and eventually it did as Peter Garrett threw jugs of water over the crowd from the stage, and the lads up the back started doing the same with jugs of beer).

At most of those shows I shared the joy with Sheri, and in recent years had the opportunity to take my then 14 year old son, and last night my now 14 year old daughter for not only their first big rock concert, but their first (and probably last) Oils gig.

These memories and more came flooding back as we rocked away the night. I wasn’t exactly sad, though I’ll definitely miss seeing this band live. More that the band and the music took me on a tour through some of the key moments of my own life as they played through a phenomenal back-catalogue interspersed some belters from their latest (trust me, it’s worth a few listens to the new album Resist).

I sometimes wonder what it is about Midnight Oil that I find inescapable. Why I have a full set of their albums; why I still send spotify playing an Oils playlist; why my most prized possession is a signed postcard from the band on the occasion of my 30th birthday (thanks Tracey…still don’t know how you organised it!).

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who’s in the band?

Just about every job I can think of has elements of repetition in it.

unsplash.com

Whether you’re a tax accountant, a bus driver, a school teacher, a professional athlete or a nurse…some days must feel like groundhog day. The same tasks, over and over again.

Recently I got to thinking about bands and musicians in this light.  How, I wondered, does a band play the same song over, and over, and over. Every night in front of a new audience, in a new city, but the same song.  And if it’s a big hit song, they might play it hundreds, or thousands of times over decades. Over and over and over.

Somehow the challenge must be to find a way for it to be fresh every night. Every audience wants to feel like the band are loving the song. Every night there has to be passion, excitement, enthusiasm for that same song.

How do they sing the same song night after night, after night?

I was pondering this in light of a work project that I’m involved in. We’ve been at it for a couple of years, with a couple more to go – and part of my job is the storytelling. So I often find myself sharing the same story, or giving the same presentation. How, I wondered, will I stay motivated and fresh for the years to come?

I was pondering this question with a wise friend who responded like this:

“Scott”, he said, “I think it’s not always about the song.”

“It’s not even about the audience, not always”.

“Mostly, it’s about the band.  The band that are committed to each other, that love making music together, that draw their energy from one another, that believe in something together.”

“If you want to stay fresh, and keep your energy for this project, then it’s about the band. Who is in your band? Who are you making music with? What do you believe in together?”

It struck me as a profound insight, and a really good question.

Later that same night, Australian television presenter Waleed Ali interviewed Dave Grohl of the band Foo Fighters. At one point in the interview, the conversation turned to what it’s like for a band to play in front of small audiences in a post-COVID environment, rather than the stadiums full of raving fans that Foo Fighters are more used to.

While acknowledging they love playing in front of people, Grohl’s response struck me. He said:

“When the six of us get together with instruments in our laps, I don’t really care how many people are there, it just feels good to be with my guys, making music.”

And there it is. The audience does matter, and the music matters, but in a profound and important way, it’s about the band.

So when I think about my work project, I’m left with this question…who’s in the band with me? What’s the music we are driven to play together? I think perhaps the band is where my motivation might come from.

And I suspect that might be true for many of us, no matter the job. So…how about you? Who’s in your band?

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the power of every place….and no place

I’ve been listening to Stu Larsen’s new EP Ryeford, and I want to tell you about it. Before I do, there are two things you need to know.

Firstly, I’m not a music reviewer, or a music professional, or even a musician. And this is a not a place you would normally read about music. The fact that I can’t help writing about Ryeford might tell you something about it.

The second is that the artist I’m going to write about, Stu Larsen, is my cousin. We’re related. I may be biased. You can judge. The truth is, that I listened to the music because Stu is my cousin. But I listened again (and again, and again) because I was captured by it. Continue reading →