on sliding doors and finding balance…

It happened, as many near disasters do, in an instant.

One moment I enjoying a great ride on my bike, enjoying the thrill of blasting down a fire trail in the forest, minding my own business and soaking up the adrenaline. The sun was shining, the temperature about perfect for a morning on a mountain bike. Everything was as it should be in my world.

And then a wallaby shot out of the bushes in front of me.

In an instant the human brain did what I find utterly astonishing…without so much as a conscious thought I knew without shadow of doubt that I would hit that wallaby. It’s speed and trajectory, and my own would intersect perfectly a handful of metres in front of me. It would be injured, and I would crash and find myself tumbling down the track protected only by a lyrca t-shirt and plastic skid-lid. All this registered in a split second as my painful future bounded toward me and I raced toward it.

I almost fancy that we made eye contact, the wallaby and I, and we each knew that what was about to happen would be costly for both of us.

In the moment I was barely conscious of anything other than alarm, fear, slamming brakes, a skidding bike and watching the wallaby scrabble wildly for grip as it made its own internal calculations and responded to the apparently inevitable. I don’t recall thinking about braking, or steering, or balance – but it all happened. The brain and body are, no doubt, an incredible combination.

Brake pads bit on the disc, rubber grabbed dirt and I managed to slow slightly and change direction.

The wallaby found traction on the slippery surface and succeeded in making a turn of its own.

And we slipped past one another, inches apart, hearts racing, living to ride and bounce another day. The wallaby was gone, I continued on down the trail with only an even further elevated heart beat and a deeply breathed “oh my…that was close” to show for what might have been.

They’re sometimes described as ‘sliding doors’ moments – when a situation resolves in one way that could so easily have gone another.

Sometimes sliding doors moments are a conscious choice between two options that lead us in different directions (and remind us of the M Scott Peck poem “The Road Less Travelled”), while in others (like this one) it’s not so much conscious choice as circumstance.

Sometimes sliding doors moments are about big, vital, life-changing events and circumstances, while in others (like this one) they’re much less important in the grand scheme of things.

Sometimes we’re very aware of sliding doors moments as they pass by, while in others we’re completely oblivious to what might have happened, how life might have changed if one thing had been a tiny bit different.

When we’re aware of these moments, it can be a bit of a natural human tendency to get caught up in the act of imagining ‘what if’.

What if I had (or hadn’t) accepted that job offer?

What if the cyclone had turned north instead of south?

What if I’d been brave enough to lay it all on the line when opportunity knocked?

What if I hadn’t made that tiny mistake in the crucial moment of the game?

What if I hadn’t been able to avoid the wallaby?

It seems to me that there’s nothing wrong with those kind of acts of the imagination. They can help us process possibilities differently in the future, make better choices, react more quickly, be more prepared.

Maybe I’ll ride my bike just a little differently in the future, more conscious of keeping an eye out for wallabies so I can react just a little earlier than I did this time.

But there’s also the possibility of getting caught up in too much regret, too much ‘wishing’ it had been different. Maybe I won’t enjoy the freedom of riding a bike in the bush if I’m constantly in fear of things out of my control. In an extreme case, maybe I’d stop riding my bike altogether because of what might have happened (but didn’t) on that particular Monday morning.

So it seems, as is usually the case, that the right thing to do is to find a balance. A balance between learning from experience, pondering the consequences of sliding doors moments, but recognising too that changing the past is an impossibility, predicting the future is almost the same, and that all we can really do is live in each moment that is in front of us.

I have no doubt that the next time I roll down that particular trail I’ll have in mind that my wallaby friend might be about to reappear, and I’ll probably ride a tiny bit more carefully. Maybe it will make me a better rider, more aware of my circumstances.

But I won’t stop riding, and I won’t allow myself to get lost in constant fear of what might happen. I’ll find balance in processing this particular sliding doors moment.

At the same time though, I’m processing some big life decisions. Choices about career, and directions, and values and priorities. And these have been long, hard things to think about. And truth be told, despite months, years of effort, I’m not there yet. There are sliding doors moments in this part of my story too – opportunities accepted or rejected, courage displayed or not. Some I’m aware of, and some probably not. And finding balance in this set of sliding doors seems so much harder than when it comes to bike riding and wallabies. I’m probably stuck in my own imagination, cursed by the possibilities and the sense of ‘what if’ when I’m thinking about about past, present and future choices.

And so, in a strange way and potentially at a crucial time, a near miss with a wallaby is helping me find a little perspective. I’m reminded of the importance of balance in learning from but not being captive to my own imagination in the wake of sliding doors moments.

I’m hopeful that soon enough the brake pads will bite, the tyres will find purchase and there will be a direction change on a slippery surface. And I’ll look this particular wallaby in the eyes and think “oh my, that was close”.

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choosing drama

Recently I was sitting with the 13 year old at a high school subject selection evening. She’s preparing for year 9, and has a couple of elective choices to make, so the school puts on an evening where all of this is explained to parents and students.

Helpful.

There are two things you need to know about this particular 13 year old. First, she’s very academically oriented (and I’d say gifted too…but them I’m biased). Second, she has inherited an intense introversion and dislike of public speaking from her parents.  We’ve both learned to do it, but it hasn’t been a fun ride.

Anyway, where was I?  Oh, right, subject selection.

In the end she had one choice left to make, and the list of options was long. A whole bunch of arts subjects, some industrial tech stuff, and geography.

I thought the choice was simple. She loves geography, would do well at it, would find it relatively easy. An easy choice.

Naturally, she didn’t choose it (I mean she could have, but then this would have been a dull story, right?).

She said to me “Dad, I’m going to choose drama”.

“Drama?”, I thought to myself.  “Drama? Seriously? What about geography?”

“Oh, that’s good” I said out loud, desperately trying to play the cool, supportive, helpful parent.  “Tell me why you’re thinking drama?”.

The answer, when it came, floored me.  Stopped me. Confronted me. Challenged me. Then and now.

“Because I know I’m not good at speaking in front of groups. It makes me nervous, and I’m not good at it. I think if I do drama for a year, it will help me to find my voice. I can always do geography later”.  Such is the wisdom of the 13 year old.

Now let me hasten to say at this point that I have no objection whatsoever to drama as a subject. I wish I had the courage to do it (I would be hopeless, but I still wish…).

It’s a choice that impressed me, and for several reasons:

  • She chose the unexpected
  • She thought it through enough to not just take the obvious choice
  • She chose to be challenged (and believe me, she will be challenged)
  • She chose her weakness
  • She chose to grow a new strength
  • She knows that choosing one (drama), involves letting go of another (geography)

So many of us (I raise my hand high) don’t take those kinds of choices. We stick with what we know. We stick with what we have already learned. We stick with what we have proven we can succeed in. We stick with the safe, the obvious.  To choose challenge, growth, weakness, risk?  That’s unusual.  Most of us would choose geography over drama every day of the week (it’s a metaphor…go with me):

  • We take a holiday to the same place (or at least the same kind of place).
  • We stick with the same kinds of food.
  • We make the safe, obvious career choice.

And so on. Geography over drama, every time.

In the organisation I work in, we are under some degree of stress. Our future is clouded.  Under such stress, we choose geography time after time after time. We choose what we know. We choose the obvious. We choose to keep doing what we’ve always done. I can’t help but think that at this point in our life cycle, we should be consciously choosing drama.

It’s left me both (a) incredibly proud of this child (even more than before…true); and (b) challenged in the way I go about my choices as a person, husband, father.

I’m wondering what it means for me to choose drama. I’m a little nervous about the next choice I have to make. And if I’m honest, a little sad too….because I quite like geography!